Multiple Choice Identify the
choice that best completes the statement or answers the question.
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1.
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Surfaces on the head where the head changes, such as the ears, jawline, and
occipital bone, are referred to as:
a. | surface layering | c. | apex points | b. | reference points | d. | technique
points |
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2.
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Reference points in a haircut are used to establish:
a. | head forms | c. | design lines | b. | techniques | d. | tension |
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3.
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The part of the head that is found by placing a comb flat on the side of the
head is the:
a. | parietal ridge | c. | temporal ridge | b. | occipital ridge | d. | reference
points |
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4.
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Placing a comb flat against the nape of the head and finding where the comb
leaves the head can be used to locate the:
a. | parietal ridge | c. | four corners | b. | reference points | d. | occipital bone |
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5.
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The highest point on the top of the head is the:
a. | apex | c. | corners | b. | points | d. | crown |
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6.
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Achieving balance within a design can be accomplished by understanding the head
shape and:
a. | head points | c. | four corners | b. | reference points | d. | technique
points |
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7.
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The location of the four corners signals a change in the:
a. | head shape | c. | hair texture | b. | bone shape | d. | hair growth |
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8.
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The two front corners represent the widest part of the:
a. | apex area | c. | bang area | b. | parietal area | d. | nape area |
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9.
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Hair that grows below the parietal, or crest, hangs because of:
a. | weight | c. | gravity | b. | thickness | d. | color |
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10.
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The area of the head that is between the apex and the back of the parietal ridge
is the:
a. | crown | c. | sides | b. | front | d. | top |
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11.
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The nape area is defined as the area at the back part of the neck and consists
of the hair below the:
a. | neckline | c. | temporal bone | b. | front | d. | occipital bone |
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12.
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The area that begins at the apex and ends at the front corners and is located by
placing a comb on top of the head so that the middle of the comb is balanced is the:
a. | side area | c. | back area | b. | top area | d. | bang area |
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13.
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The space between two lines or surfaces that intersect at a given point is
a(n):
a. | formation | c. | bang | b. | angle | d. | line |
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14.
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A line is a thin continuous mark used as a(n):
a. | section | c. | guide | b. | angle | d. | area |
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15.
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Lines in haircutting that are parallel to the horizon, or the floor are:
a. | horizontal lines | c. | elevation lines | b. | vertical lines | d. | weight lines |
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16.
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Lines that are up and down and are perpendicular to the floor are:
a. | weight lines | c. | horizontal lines | b. | angle lines | d. | vertical lines |
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17.
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Horizontal lines are used to create one-length and low-elevation cuts and
build:
a. | style | c. | weight | b. | movement | d. | layers |
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18.
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The straight lines used to remove weight and create graduated or layered
haircuts are:
a. | diagonal | c. | horizontal | b. | vertical | d. | beveled |
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19.
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Diagonal lines in a haircut blend long layers into short layers and
create:
a. | movement | c. | angles | b. | weight | d. | fullness |
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20.
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An important element in creating a strong foundation and consistency in
haircutting and creating shapes is the use of:
a. | angles | c. | stacking | b. | corners | d. | layering |
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21.
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Elevation creates graduation and layers and is usually described in:
a. | lines | c. | metrics | b. | degrees | d. | sections |
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22.
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The uniform working areas used for control during haircutting are called:
a. | partings | c. | elevations | b. | ridges | d. | sections |
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23.
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The line dividing hair at the scalp, separating one section from another,
creating subsections is a:
a. | tension | c. | parting | b. | elevation | d. | angle |
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24.
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Lifting any section of hair above 0 degrees is known as:
a. | elevation | c. | parting | b. | subsectioning | d. | separating |
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25.
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When you are building weight in a haircut, the hair should be held:
a. | straight | c. | above 90 degrees | b. | below 90 degrees | d. | at no elevation |
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26.
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The hair type that requires less elevation and should be left a bit longer
because of shrinkage when it dries is:
a. | coarse hair | c. | straight hair | b. | dry hair | d. | curly hair |
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27.
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The angle at which the fingers are held when cutting is referred to as
the:
a. | parting line | c. | cutting line | b. | degree line | d. | finger line |
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28.
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A section of hair that determines the length the hair will be cut is the:
a. | guideline | c. | apex | b. | reference | d. | weight |
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29.
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The guideline where a small slice of a previous subsection is moved to the next
position and becomes the new guideline is a:
a. | vertical guide | c. | angle guide | b. | stationary guide | d. | traveling guide |
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30.
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A guideline used in a blunt, one-length haircut, or used in overdirection to
create a length or weight increase is a(n):
a. | stationary guide | c. | angle guide | b. | traveling guide | d. | stacked guide |
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31.
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In creating a length increase in the design of graduated and layered haircuts,
the technique to use is:
a. | over-direction | c. | stacking | b. | beveling | d. | traveling |
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32.
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On a layered haircut, if you want the hair to be longer toward the front,
overdirect the sections to a stationary guide at the:
a. | top of the face | c. | front of the crown | b. | front of the ears | d. | back of the
ears |
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33.
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The conversation where the practitioner offers professional advice and
suggestions to a client is the:
a. | client consultation | c. | gossip session | b. | client greeting | d. | client
assessment |
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34.
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The growth pattern is the direction in which hair grows from the scalp and is
also called the:
a. | hair texture | c. | natural hairline | b. | natural falling position | d. | outer perimeter |
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35.
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The thickness or diameter of each hair strand is referred to as hair:
a. | coarseness | c. | volume | b. | texture | d. | density |
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36.
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Hair density is usually described as being:
a. | thin, small, or dense | c. | medium, curly, and porous | b. | thin, coarse, or
dark | d. | thin, medium, or
thick |
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37.
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The amount of movement in the hair strand is referred to as the:
a. | wave pattern | c. | thickness | b. | effectiveness | d. | density |
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38.
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Shears that are designed to remove more hair, with larger teeth set farther
apart, are:
a. | design shears | c. | notching shears | b. | clippers | d. | haircutting
shears |
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39.
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The comb used for close tapers on the nape and sides and when using a
scissor-over-comb technique is a:
a. | detangle comb | c. | wide-toothed comb | b. | barber comb | d. | styling comb |
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40.
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When performing a haircut, the wide teeth of the comb are used to:
a. | comb and part the hair | c. | palm the shears | b. | section before cutting | d. | stretch the
subsection |
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41.
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The amount of pressure applied when combing or holding a subsection during a
haircut is called:
a. | palming | c. | stationary | b. | layering | d. | tension |
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42.
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The degree of tension used on hairlines with strong growth patterns or around
the ears is:
a. | maximum | c. | minimum | b. | heavy | d. | strong |
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43.
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When cutting hair, a general rule of thumb is to stand or sit directly in front
of the area you are cutting and to keep your body weight:
a. | elevated | c. | angled | b. | centered | d. | movable |
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44.
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When cutting with a vertical or diagonal cutting line, the best way to maintain
control of the subsection is to cut:
a. | palm-to-palm | c. | over fingers | b. | below fingers | d. | using a razor |
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45.
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The hand position that is used most often when cutting uniform or increasing
layers is:
a. | palm-to palm | c. | over fingers | b. | undercutting | d. | below fingers |
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46.
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To reduce strain on the index finger and thumb while cutting hair, it is
important to:
a. | close fingers | c. | cut vertically | b. | work quickly | d. | palm the shears |
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47.
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After a haircut and before blow-drying a client, sanitation and disinfection
guidelines require the practitioner to:
a. | change drapes | c. | apply conditioner | b. | clean shears | d. | sweep and dispose of
hair |
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48.
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A one-length haircut where all the hair comes to one hanging length is also
known as a:
a. | blunt cut | c. | overdirected cut | b. | layer cut | d. | shingled cut |
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49.
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A visual line in a haircut where the ends of the hair hang together is called
the:
a. | elevation area | c. | open line | b. | basic line | d. | weight line |
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50.
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Haircuts that generally have less weight than graduated haircuts are:
a. | one-length cuts | c. | layered cuts | b. | blunt cuts | d. | tension cuts |
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51.
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A basic haircut where the hair is cut at a 180-degree angle is the:
a. | graduated cut | c. | angled cut | b. | stacked cut | d. | long-layered
cut |
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52.
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The technique used to check a haircut for precision of line and shape is:
a. | stationary checking | c. | overdirection | b. | origination lines | d. | cross-checking |
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53.
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In general, a razor should not be used on curly hair as it weakens the:
a. | cuticle | c. | texture | b. | color | d. | papilla |
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54.
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The cutting technique used to layer very long hair and keep weight at the
perimeter is:
a. | slide cutting | c. | scissors-over-comb technique | b. | stacking
techniques | d. | blunt
cutting |
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55.
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The process of removing excess bulk without shortening hair length is:
a. | beveling | c. | stacking | b. | tapering | d. | texturizing |
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56.
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A more aggressive version of point cutting that creates a chunkier effect
is:
a. | slide cutting | c. | texturizing | b. | notching | d. | beveling |
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57.
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A texturizing technique performed on the ends of hair using the tips of the
shears to remove bulk is:
a. | slicing | c. | point cutting | b. | slide cutting | d. | blending |
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58.
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Thinning hair using a sliding movement with the blades of the shear partially
opened to reduce volume and create movement is:
a. | slithering | c. | free hand | b. | slicing | d. | beveling |
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59.
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When using the slicing technique to remove bulk, the shears should never be
completely:
a. | positioned | c. | closed | b. | sharp | d. | elevated |
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60.
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Electric or battery-operated tools that cut the hair by using two moving blades
held in place by a metal plate with teeth are:
a. | trimmers | c. | clippers | b. | cutting shears | d. | notching shears |
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61.
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The technique that allows you to cut the hair very close to the scalp and create
a flat-top or square shape is:
a. | comb-over-scissor | c. | notching shear-over-comb | b. | clipper-over-comb | d. | clipper-under-comb |
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