Multiple Choice Identify the
choice that best completes the statement or answers the question.
|
|
|
1.
|
Hairstyling that does not alter the natural curl or coil patterns of hair is
known as:
a. | trend hairstyling | c. | fashion hairstyling | b. | natural hairstyling | d. | thermal
hairstyling |
|
|
|
2.
|
In terms of natural hairstyling, the stylist must be particularly aware of the
client’s hair:
a. | style | c. | texture | b. | length | d. | color |
|
|
|
3.
|
To avoid client misunderstanding and ensure a happy ending to every natural
hairstyling service, perform a quality:
a. | approach | c. | style | b. | consultation | d. | image |
|
|
|
4.
|
In terms of braiding and other natural hairstyling, the diameter of hair refers
to whether the hair is:
a. | medium, fine, or smooth | c. | coarse, medium, or
fine | b. | smooth, dry, or wiry | d. | straight, wavy, or fine |
|
|
|
5.
|
With regard to the wave pattern or configuration, a coil is defined as a:
a. | very soft curl pattern | c. | oily curl pattern | b. | smooth wave pattern | d. | very tight curl
pattern |
|
|
|
6.
|
Updo braiding styles that add length or frame the face with waves or full curls
are recommended for:
a. | oval face shapes | c. | round face shapes | b. | square face shapes | d. | diamond face
shapes |
|
|
|
7.
|
To create the illusion of length and soften facial lines in a square face shape,
choose full styles that:
a. | frame the forehead, temples, and jawline | b. | move away from the
cheeks | c. | add waves and full curls | d. | keep braids close to the
cheekbones |
|
|
|
8.
|
Most braided styles are appropriate for:
a. | round face shapes | c. | diamond face shapes | b. | square face shapes | d. | oval face
shapes |
|
|
|
9.
|
Styles that are full around the forehead and jawline to create a more oval
appearance are recommended for:
a. | triangle face shapes | c. | square face shapes | b. | diamond face shapes | d. | oval face
shapes |
|
|
|
10.
|
A soft fringe around the forehead will camouflage a small forehead without
closing up the face and is recommended for a:
a. | triangular face shape | c. | square face shape | b. | diamond face shape | d. | round face
shape |
|
|
|
11.
|
Full braiding styles can make an oblong-shaped face appear:
a. | shorter | c. | square | b. | longer | d. | open |
|
|
|
12.
|
Hair that is referred to as virgin or natural hair has no previous coloring,
chemicals, lightening treatments, or:
a. | conditioning | c. | styling | b. | relaxer treatments | d. | physical abuse |
|
|
|
13.
|
Brushes that are used for stimulating the scalp as well as removing dirt and
lint from locks are:
a. | square paddle brushes | c. | nylon-bristle brushes | b. | boar-bristle
brushes | d. | combination bristle
brushes |
|
|
|
14.
|
Brushes that collapse when they encounter too much resistance in releasing
tangles from hair are:
a. | soft bristle | c. | natural bristle | b. | hard rubber | d. | pneumatic |
|
|
|
15.
|
Brushes with wide-spaced protective pins used on human hair extensions or to
gently remove tangles from wet wavy or dry curly hair are:
a. | square brushes | c. | vent brushes | b. | double-tooth | d. | tail brushes |
|
|
|
16.
|
To avoid scratching the scalp, the teeth on wide-toothed combs should
have:
a. | long rounded tips | c. | missing teeth | b. | short flat tips | d. | long pointed
tips |
|
|
|
17.
|
An excellent comb for design parting and opening and removing braids is
a:
a. | finishing comb | c. | pressing comb | b. | wide-toothed comb | d. | tail comb |
|
|
|
18.
|
The blow-dryer attachment that stretches and softens textured hair and loosens
the curl pattern is a:
a. | concentrator | c. | plastic pick nozzle | b. | metal pick nozzle | d. | diffuser |
|
|
|
19.
|
A manufactured synthetic fiber with a texture similar to extremely curly or
coiled hair types that does not reflect light and is used for hair extensions is:
a. | kanekalon | c. | synthetic | b. | yarn | d. | rayon |
|
|
|
20.
|
Extension material that may cut or break the hair and melt with the application
of excessive heat is:
a. | kanekalon | c. | nylon | b. | yarn | d. | cotton |
|
|
|
21.
|
A light, soft extension material that does not reflect light and gives the braid
a matte finish is:
a. | nylon | c. | rayon | b. | yarn | d. | cotton |
|
|
|
22.
|
An imported wool fiber available in black or brown with a matte finish that is
used in hair extensions is:
|
|
|
23.
|
A strong extension material that comes from the domestic ox found in the
mountains of Tibet and central Asia is:
|
|
|
24.
|
A board of fine, upright nails that is used to comb or detangle human hair
extensions or to blend colors is a:
a. | drawing board | c. | leather board | b. | hackle | d. | extension |
|
|
|
25.
|
Hair that is best braided slightly damp or very lightly coated with a wax or
pomade to make it more pliable is:
a. | curly, textured hair | c. | straight, resistant hair | b. | fragile, dry
hair | d. | short, dry
hair |
|
|
|
26.
|
Blow-drying softens textured hair, stretches the hair shaft length, and:
a. | elongates a wave pattern | c. | shrinks a wave
pattern | b. | reduces a wave pattern | d. | thickens the diameter |
|
|
|
27.
|
The three-strand braid produced by overlapping the strands of hair on top of
each other is the:
a. | box braid | c. | inverted | b. | fishtail | d. | visible |
|
|
|
28.
|
The braid made when two strands are twisted around each other is a:
a. | rope | c. | French | b. | fishtail | d. | visible |
|
|
|
29.
|
A simple two-strand braid in which the hair is picked up from the sides and
added to strands as they are crossed over each other is the:
a. | inverted | c. | fishtail | b. | extension | d. | invisible |
|
|
|
30.
|
The terms single braids, box braids, or individual braids all refer to:
a. | underhand braids | c. | extension braids | b. | inverted braids | d. | free-hanging
braids |
|
|
|
31.
|
Narrow rows of visible braids that lie close to the scalp are:
a. | invisible | c. | box | b. | cornrows | d. | fishtail |
|
|
|
32.
|
Natural, textured hair that is interwoven and meshed together to form a single
or separate network of hair is:
a. | braiding | c. | locks | b. | twisting | d. | cornrows |
|
|
|
33.
|
The method of cornrows that look natural, last longer, and will not place
excessive tension on the hairline is the:
a. | feed-in method | c. | freehand method | b. | traditional method | d. | comb method |
|
|
|
34.
|
The method of locking where portions of hair are placed between the palms of
both hands and rolled in clockwise and counterclockwise directions is:
a. | comb method | c. | palm roll | b. | prelock | d. | intertwine |
|
|
|
35.
|
During the maturation stage of locks, the hair is soft and coiled into spiral
configurations, and the end is:
a. | open | c. | loose | b. | closed | d. | broken |
|